Continuing my internal dialogue on the development of my artistic research

Confronting and resisting precariousness in the performance making (or for stage ? (both in the making and in performing?)

Feminine Values (not gender oriented): warmth, care, εστία, narration)

Agonism : 'conflict as something to be maintained rather than something to be overcome through consensus' ( C.Mouffe, Agonistics, thinking the word politically) and agonistic pluralism: 'conflict with respect on one another's right to exist' (ibid)

Imagination/ Speculation: Art can offer the chance to society to collectively reflect on imaginary figures.(ibid)

Establish forms of relationships that through the affects can reach the intellect (ibid)

Imagination-emotions-new experiences : art to make us see things in a different way, to make us perceive new possibilities.

How to confront and resist precariousness ?

By making it public

By keeping the fragility and conflict as points of view 'without any possibility for final reconciliation' (ibid)

By being related to an institution

New points to turn my focus to:

Writing for the stage, (narration? storyteller?)

Making for the stage

Performing on stage

My relation to the audience

Translate artistic forms

Sharpen up categories, themes

What to make public that is relevant to the practice?

Take modes of working in documenting my work to use in the performance and not only the content of it. e.g. insistence, regularity, expansion, obsessive